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    I Am Not Madame Bovary

    After being swindled by her ex-husband, a woman takes on the Chinese legal system.
    Duration: 128 min
    Quality: HD
    Release: 2016
    IMDb: 6.9
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  • Actors of "I Am Not Madame Bovary"

  • Directors of "I Am Not Madame Bovary"

    Xiaogang Feng. Director of I Am Not Madame Bovary
    Xiaogang Feng
    Birthdate: 1958, Beijing, China
  • Creators of "I Am Not Madame Bovary"

    Zhenyun Liu. Director of I Am Not Madame Bovary
    Zhenyun Liu
  • Critic Reviews of "I Am Not Madame Bovary"

    Time Out
    May 22, 2017

    All in all this is quite something, gradually building to a jawdropping final scene.

    RogerEbert.com
    November 18, 2016

    It's a pleasure to look at the screen and to watch the artistry of the entire creative team. But there's a forbidding quality to the entire enterprise.

    Los Angeles Times
    November 17, 2016

    The shapes are a distraction. However, what's happening within them is compelling enough to overcome the stylistic overkill.

    Washington Post
    November 17, 2016

    Although it's intended as a satire, director Feng Xiaogang's movie has a literary tone, a leisurely pace and relatively few laugh-out-loud moments.

    Seattle Times
    November 17, 2016

    The script by Liu Zhenyun becomes ponderous and redundant, kept on oxygen by its lead actress's complex performance as a child-woman with enigmatic wisdom.

    Village Voice
    November 16, 2016

    It's like an odd storybook you'd find in the attic and have trouble putting down - the more quixotic Lian's journey becomes, the more you want her to see it through to the bitter end.

    Irish Times
    June 28, 2017

    Bingbing heads a terrific ensemble, although the sly anti-bureaucratic fun does feel a little overextended at 137mins.

    Sunday Times (UK)
    June 09, 2017

    [An] overstretched art-house soap.

    Observer (UK)
    May 28, 2017

    The film is uneven and lagging in pace. Still, it's frequently beautiful ...

    Hot Press
    May 26, 2017

    As the second half of the film essentially repeats the action, only years later, the film's pace becomes sluggish, and its impact rapidly deflates. The artful charm of Feng's stylistic choices also begin to feel limiting.

    Times (UK)
    May 26, 2017

    A film that luxuriates, through that beguiling round frame, in breathtaking, never-seen-before screen imagery.

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