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    Fireworks

    Nishi (Takeshi Kitano) is a policeman is in a great torment by dint of his family with many chaoses. One day, he makes an important decision to leave his office to control his life better, which leads to unexpected circumstances.
    Duration: 103 min
    Quality: HD
    Release: 1997
    IMDb: 7.8
    4.5
    Rating
    (1) Voted
    0 Comments
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  • Actors of "Fireworks"

  • Directors of "Fireworks"

    Takeshi Kitano. Director of Fireworks
    Takeshi Kitano
    Birthdate: 18 January 1947, Tokyo, Japan
  • Creators of "Fireworks"

    Takeshi Kitano. Director of Fireworks
    Takeshi Kitano
    Birthdate: 18 January 1947, Tokyo, Japan
  • Critic Reviews of "Fireworks"

    Chicago Sun-Times
    January 01, 2000

    Takeshi Kitano, who made it, must be very serene or very angry; only extreme states allow such a narrow focus.

    CineVue
    January 17, 2017

    Hana-Bi is a rare and unique portrayal of violence, futile anger and defiance.

    City Pages, Minneapolis/St. Paul
    August 21, 2009

    Compared to [Takeshi] Kitano, Bruce Willis is a wimp, Harrison Ford is a creep, and Mel Gibson is a joke.

    Slant Magazine
    July 07, 2004

    Kitano uses his own face as a blank slate with which to sketch a complicated human being.

    AboutFilm.com
    October 23, 2003

    Kitano makes static, understated movies about existences wasted, and rediscovering the joy of being, for a brief time, alive.... Violence comes in sudden bursts, as a shocking interruption.

    Goatdog's Movies
    February 28, 2002

    A really good example of character development by actions, without the benefit of dialog or mannerisms.

    Wired
    September 07, 2001

    Moody drama from Takeshi Kitano.

    Ozus' World Movie Reviews
    January 01, 2000

    This highly original film is at times a masterpiece and at other times it seems like a grade B-movie.

    Combustible Celluloid
    January 01, 2000

    A fascinating film.

    Deseret News, Salt Lake City
    January 01, 2000

    An exceptional piece of filmmaking, a drama that blurs the line between the ultra-violent cop movie genre and weepy but moving melodrama, and does it very convincingly.

    Film Journal International
    January 01, 2000

    Simultaneously coolly stylized and surprisingly emotionally persuasive.

    TheMovieReport.com
    January 01, 2000

    Richly satisfying to the emotions and the senses.

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