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    A Woman in Berlin

    A nameless woman keeps a diary as the Russians invade Berlin in the spring of 1945. In her desperation, she decides to look for an officer who can protect her. She meets a Russian officer, an encounter which develops into a complex symbiotic relationship that forces them to remain enemies until the bitter end.
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  • Actors of "A Woman in Berlin"

  • Characters of "A Woman in Berlin"

    Anonyma. Character of A Woman in Berlin
    Played by: Nina Hoss
    Andreij Rybkin. Character of A Woman in Berlin
    Witwe. Character of A Woman in Berlin
    Played by: Irm Hermann
    Eckhart. Character of A Woman in Berlin
    Ilse Koch. Character of A Woman in Berlin
    Karl Koch. Character of A Woman in Berlin
    Played by: Rolf Kanies
    Anatol. Character of A Woman in Berlin
    Played by: Roman Gribkov
    Elke. Character of A Woman in Berlin
    Andropov. Character of A Woman in Berlin
  • Directors of "A Woman in Berlin"

    Max Färberböck. Director of A Woman in Berlin
    Max Färberböck
    Birthdate: 22 September 1950, Munich, Germany
  • Creators of "A Woman in Berlin"

    Max Färberböck. Director of A Woman in Berlin
    Max Färberböck
    Birthdate: 22 September 1950, Munich, Germany
    Marta Hillers. Director of A Woman in Berlin
    Marta Hillers
  • Critic Reviews of "A Woman in Berlin"

    Washington Post
    November 06, 2009

    A clear-eyed portrait of a highly charged chapter in Germany's history, a history that once again proves rewarding fodder for an alert artistic imagination.

    Chicago Reader
    October 02, 2009

    No one is guiltless-not the Russian commander (Yevgeny Sidikhin) who takes the heroine as his lover, nor her bourgeois landlady (Fassbinder alumnus Irm Hermann), who welcomes the occupiers for their black market goods.

    Chicago Sun-Times
    September 24, 2009

    The film is well-acted, with restraint, by Hoss and Sidikhin. The writer and director, Max Faerberboeck, employs a level gaze and avoids for the most part artificial sentimentality. The physical production is convincing.

    Christian Science Monitor
    August 21, 2009

    Sometimes a movie based on true events is forceful out of all proportion to its middling presentation.

    Los Angeles Times
    August 07, 2009

    [A] brutal, unforgettable film.

    New York Daily News
    July 17, 2009

    Though the story is based in truth, an emotionally removed Hoss feels more like a symbol than an actual person, while her detached narration keeps us at further remove.

    London Evening Standard
    February 16, 2010

    An honourable effort to illustrate a period in post-war German history that remained conveniently shrouded for years.

    NewsBlaze
    December 18, 2009

    The suffering of these Berlin women, however tragic, is decontextualized from the infinitely greater crimes against humanity's millions by Germany at the time, which in fact was responsible for their fate.

    Combustible Celluloid
    December 04, 2009

    It's a rigorous adaptation, handsomely mounted and with fine performances, but totally impersonal.

    Austin Chronicle
    October 09, 2009

    That rarest of wartime dramas: an intimate, sorrowful glimpse into the heart and loins of the hellish aftermath of war.

    One Guy's Opinion
    October 06, 2009

    Though deliberately paced and somewhat repetitive, it's...powerful and enlightening.

    Ozus' World Movie Reviews
    September 15, 2009

    This sobering account of such tragic events deserves kudos for avoiding sensationalizing a subject matter that easily could be exploited.

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